The Guardian ★★★

'Azusa Ono’s lighting reinforce the sense that the play is about the precarious border between life and death and the performances are all good.' Michael Billington

Theatre weekly ★★★★

'Azusa Ono’s lighting design and the effect is stunningly authentic.' Greg Stewart

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Broadway World ★★★

'Colder lights (curated by Azusa Ono) implicate a rougher and more hands-on reflection on the meanings of life and death while warmer tones suggest the familial politics of the plot.' Cindy Marcolina

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BroadwayBaby ★★★

'Time and auras change with shifts in lighting beautifully crafted by Azusa Ono,' Richard Beck